Fate and Coincidence Brought these Actors to their Farmhouse in Maine

Actors and spouses Xander Berkeley and Sarah Clarke find the life they wanted in Maine
Words By Jule Selbo
Photos By Sarah Morrill

The partnership started when their eyes met in a dressing room mirror in the makeup trailer of the Fox Television show 24. He was playing George Mason, a big shot in counterterrorism, and she portrayed Nina Myers, a federal agent soon to be outed as a corrupt information broker. It was a merging of talents, not just for acting but also in painting, writing, producing, and, overall, a dedication to a creative life. Fifteen years, a slew of Hollywood credits, and two babies later, they decided that Los Angeles wasn’t the place to foster the bigger picture they envisioned for their lives—and they chose Maine.

Sarah Clarke and Xander Berkeley approached the state like many “from away-ers.”  They dipped their toes into its most popular seasons. But then chose the full-body splash-in and over-the-head immersion.

The question always posed is: Why Maine?

The open shelves of the kitchen island holds the couple's well worn wedding china.

The open shelves of the kitchen island holds the couple’s well worn wedding china.

The starting point of most films is the screenplay, and in its special language, screenwriters call for close-ups, medium shots, and wide shots to help tell the story. The WIDE SHOT (that’s how you’d see it in a screenplay) sets time, place, and mood. So let’s start there: A small town in Cumberland County, not far from the banks of the Royal River. CAMERA moves down a country road hugging the coastline and reveals a cozy, rambling, centuries-old inn that, in years past, had welcomed political and entertainment luminaries and is now a single-family home. The property exudes Yankee ingenuity and an appetite for quiet community. MEDIUM SHOT: Children racing across a vast lawn to burst through the doors that once led to the inn’s reception area. Once inside, their movements introduce us to wide-planked floors from the 1700s. There are paintings on easels, half-completed sculptures, newly edited script pages on a desk, costume sketches, a fragrant soup on the massive gas range, and a long, welcoming dining table. The children grab their books, curl into reading chairs while their parents finish arranging the antique treasures found stuffed between joists (discovered when adding insulation) on the mantelpiece. The setting takes shape. And then the familiar question: “Why here? Why Maine?”

Sarah sinks into a comfy couch and we’re now in CLOSE-UP. “Romantic memories from our childhoods. Xander spent a couple years living on a communal farm as a child in New Jersey, and I had two aunts who lived on farms. We even got married on one of those farms.”

Sarah in her creative space just off from the family music room.

Sarah in her creative space just off from the family music room.

The table, once used as a desk in Los Angeles, is where the family eats their meals together. Its worn surface and vintage imperfections compliment the home’s original character.

The table, once used as a desk in Los Angeles, is where
the family eats their meals together. Its worn surface and vintage imperfections compliment the home’s original character.

The couple's daughters at rest.

The couple’s daughters at rest.

Xander, sitting under one of his large-scale paintings of a Maine farm-scape, picks up the story. “But our careers led us to living in the congested Hollywood Hills, and though LA was mostly agricultural until the late 1800s, there was no sense of ‘farm’ left in the area.”

“I was out of town working on a television show in 2012,” Sarah says. “And our oldest daughter—7 at the time—woke Xander up one morning and asked when we were moving to the farm so we could have animals and grow things.”


Xander picks up the backstory. “She sounded like it was a given, that it was just a matter of time before we would sell our California home to make it happen. I figured she was fresh out of a dream. I told her it was a ‘big’ idea, but I needed some coffee to think it over. Later the same day, a friend from childhood e-mailed me out of the blue and included a real estate listing of a farm in Maine with a subject line, ‘What are your thoughts on becoming a gentleman farmer?’ I called Sarah to ask if she’d talked to our daughter about our romantic notions, but Sarah said the last time she remembered us mentioning a farm was when she was pregnant. We couldn’t get the coincidence out of our heads, and when we visited my mother on the East Coast for Christmas, we checked out the property. We loved it; it even had a Berkeley stove from the 1800s, so it felt there was already a family name attached to it. Then I got an offer to do a movie shooting in Maine. Seemed like everything was pointing to here.” They bought the farm, thinking it would be a summer escape.

Sarah gets up to make tea. “But we found it harder and harder to leave each fall.”

Thus, in 2018, the renovated inn, close to Maine’s largest urban community, fit the new plan. Old trees. Good schools. An airport nearby when work calls. Close to groups they’ve become involved in like The Telling Room, SPACE Gallery, play readings, music festivals, and more. And, serendipitously, close to the locations of three of their latest films—all shot in Maine.

Sarah sips her tea. “Every morning, the first thing I happily notice is the sky and water. And the air.”

“Not only cleaner air, but deeper breaths,” Xander agrees.  “This is a place to create the bigger picture.” The CAMERA follows his gaze out the window, to Casco Bay.